نوع مقاله : مقاله پژوهشی
نویسنده
دکتری تاریخ تطبیقی و تحلیلی هنر اسلامی، دانشگاه تهران، تهران، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
Taziyeh is one of the relatively ancient religious traditions and national-religious customs and introduces a part of the long-standing religious identity of the Iranian people. Undoubtedly, this phenomenon, like other cultural phenomena, has emerged under the influence of cultural contexts, conditions and capacities, and socio-historical needs and necessities, has grown and evolved, and has survived. Is.
Taziyeh as a ritual performance with a long history, the new method of which was formed from Safavid and became popular in Qajar, has always tried to interact with the general audience to convey concepts and be more effective. The multiplicity of components, variety of forms, dense semantic layers, symbolic aspect and, as a result, the high interpretability of this ritual have made researchers inevitably use various study approaches to explore its various dimensions. Accordingly, the main issue of the research is what the two-way relationship between the audience and the atmosphere of condolence. Does the place of condolence have an effect on conveying its themes and its relation to the audience? For this purpose, this research has been done by descriptive-comparative method and collection of documents by library method.
کلیدواژهها [English]
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