نوع مقاله : مقاله پژوهشی
نویسندگان
1 گروه هنر اسلامی، دانشکده هنر و معماری، دانشگاه تربیت مدرس، تهران، ایران
2 دانشکده هنر دانشگاه الزهرا
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
The publication and evolution of manuscripts of the Holy Quran have always been of special interest throughout the history of the Islamic world and among Iranian artists. The quality of manuscripts, calligraphy of the Holy Quran, and its ornamentation and decorations have always been of interest in different historical periods, and Iranian artists devoted all their attention and artistic talent to their holy book. In the meantime, the study of the evolution of the decorations of manuscripts of the Holy Quran, which is generally known as Tazhhib, has gone through a seemingly similar process, but it has subtle differences that this article attempts to examine these differences. This research attempts to answer the question of how the differences in the decorations of manuscripts of the Holy Quran in Islimi and Khata'i designs are defined? In the end, it is concluded that the Tazhhib decorations in Islimi and Khata'i designs had the same function in the three copies of the 9th century AH, as well as the symmetry of two facing pages and the use of blue and gold colors had the same application, although a slight difference is seen in the intensity of the gold and turquoise blue colors. The method of this research is analytical-descriptive and library collection.
کلیدواژهها [English]
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